Two…

A second wall sculpture done today — WIP — wet clay stage. Got the other one hollowed out and drying.

Steve Eichenberger sculpture WIP

Steve Eichenberger sculpture WIP2

Admittedly kind of strange…no rational explanation for the shape of the face…it’s just what my hands roughed in without me thinking about it.

………………………………………………….

Ran across this quote today on the web: “Serov believed that the artist ought to be adept in every available medium because nature itself is infinitely diverse and inimitable, just as the artist’s mood and feelings differ from one day to another: today he wants to work in one way, tomorrow in another.” I like it! I identify with it. It’s not a trait conducive to creating a marketable “body of work” but it serves to keep my inner artist engaged. Just today I was reviewing past projects, in disparate media, and a part of me wishes I could incorporate ALL those media into my current repertoire. I guess there’s nothing stopping me from becoming a “mixed media artist” but I’d need to amalgamate them in such a way that the resulting body of work has a coherence about it…a signature look and feel.

Hammer formed metal is my most recent media addition, and I think it’s a keeper. I’m happy with its versatility, the patination process I’ve come up with, its look & feel, its permanence, and I enjoy the processes involved in forming it. Today I was wishing I could try yet another medium: gouache. Another one I’d like to add is mache; I wish I could find a suitable use for it in my work — where it would seem to “fit” the work, and not “cheapen” it… A major problem with 2D work, for my constitution anyway, is that it’s sedentary. Standing or sitting at an easel for hours on end is not good for me. I get to feeling “toxic” from the inactivity. Small scale clay sculpture (like I’m working on now) is pretty sedentary too…I stand in one place to sculpt them, then sit to hollow them out. At least with metal work I’m hammering, moving around the studio from anvil to buck to bench shear to vises and so on…the process of distressing the metal preparatory to patination is good exercise…overall it’s about right: not too taxing to the point of potential injury yet not too sedentary either.

I realize I could schedule constitutionals every hour or so during lengthy 2D sessions, but the paints would dry out, and I’d lose the “flow.”

Overarching all these “wishes” is the need to make a living from the way I spend my time!

So enough rambling for now…gotta go put ears on another proto-human head before the clay dries too much.


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