During yesterday’s ________ time, I figured out how to make aluminum mounts for glass goat eyes for new sculpture I’m working on.
It’s hard to describe in words the drive I have to __________. First of all, what words do I use for ________??? I haven’t been able to come up with a concise descriptive term for it…I’ll try jotting down some candidate words & phrases, as fast as they come to mind:
follow the energy
freedom of expression
what I’m on the planet for ::: vocation
self image, identity, self respect, letting my inner artist out to play
expand vocabulary (of a particular medium) to the max
see what comes out ::: be surprised ::: off the wall
get lost in the *process* of making
let ideas run wild, sidelining the inner critic
suspending the cares of life for a little while, focusing all my energies in a positive/creative direction
Okay, that felt good to walk a circle around the urge and try to describe the salient aspects of it…but I can’t write all that every time I want to talk about “it” in a sentence…and I’m aware that this very act of trying to figure out words is robbing me of time I could be spending doing the actual thing I’m trying to describe, but I’m also aware of the value of putting my motivations into comprehensible form so I can better understand them and align all my inner energies in support of those goals…
I sometimes feel vaguely embarrassed/guilty about the intensity of the drive I have to indulge my inner artist. It seems to be asking for a level of priority that is impractical in relation to everyday life’s realities. It sometimes comes across as wanting to “do whatever I want” all day, every day, which is of course absurd.
It’s really not all that unusual, though; you hear it all the time from musicians, artists, dancers, actors who want to quit their day job and do ________ full time. In fact, I just saw a documentary in which a woman wanted more than anything to be a dancer, and then actually became the principal dancer in a national ballet company, but then got so tired of performing Swan Lake over and over that she quit to do her own thing: interpretive, self-expressive dance.
I deeply resonate with the following as well: In an interview with British artist Nicola Hicks, the questioner asks, “How do you balance life between living, working and loving?” and she responds, “I’m completely useless at it. I never feel I’ve got the paths right. The one thing that is never allowed to suffer is the work, which is a very hard decision to make, but I’ve found that for me that’s the way it has to be. If the studio work suffers there is no hope of anything else working. So other things have to be dropped. (…) All I know is, if you let the work go you have no hope, so there are sacrifices.” (excerpt from Flowers East: Nicola Hicks, The Pale Green Press, 1996 edition, ISBN 1 873362 315)
For the past couple years (up until recently) it’s been a struggle to get *any* free studio time, for weeks/months at a stretch. I chose to let other priorities take precedence. During those stretches, I literally felt like my life was on hold…which made me feel guilty, because I really have a good life! But right or wrong, it *feels* like I’m not truly living when I’m separated from making art (i.e., unconstrained studio time).
I’ve written a fair amount on this blog about the (self indulgent?) seemingly monumental struggle it’s been to rearrange my life just to free up a few minutes or an hour or two per day of unconstrained studio time — in the hope that someone else out there might identify with my experience, and find encouragement to keep on keeping on!